Bill
Leslie is a visual artist who works with video and film, object making,
painting and print. His work is characterised by a hands-on, tactile approach
to making, a brute presence, whether that of the thick opacity of gloss
paint, plaster, or the (hum)animal consciousness of his video persona/beast/monster.
A balance is sought within the work between the complimentary and contradictory,
accident and orchestration, poise and collapse.
Combining
imagery from Hollywood B-movies with references to Abstract Expressionism,
borrowing the half-man half-beast consciousness of King Kong, and exploring
the nature of the camera as handheld eye, his recent body of works draws
together diverse references. His articulation of these media balance a
tactile care with orchestrated loss of control. Objects, paintings and
videos are not considered as autonomous constructions, but records of
a bodily engagement, an indexical imprint, or the results of a process
of grappling with technology and substances which want to run away from
him.